|

FABRIC
NAMES & DESCRIPTIONS
SEWING TOOLS
SEWING
TECHNIQUES
COLOUR NAMES
FUR & LEATHER NAMES
EMBELLISHMENTS
BUTTONS
EMBROIDERY
DYESTUFFS & DYEING
|
Embroidery
on clothing
Embroidery
was an accepted pastime of the noble lady and indeed it was considered
one of her finer accomplishments. Many of the techniques used in the middle
ages are still in use today- couching, split stitch and appliqué.
Embroidery
was used to provide finishing touches to almost any garment. A kirtle
neck band, sleeve edges or hem, of a mantle. Veils might also be embroidered
at the edges. Popular art shows many surcotes with embroidered bands.
Popular motifs included heraldry, mottos or phrases of love, animals,
flowers and botanical themes and religious scenes and characters like
the Virgin and Son or a patron Saint.
The detail above from the 1445-1450 painting by Rogier van der Weyden
of "Saints Margaret And Apollonia" shows embroidery,
possibly gold thread around the neckline of her garment. Another detail
at right from the same painting also shows the bottom edge of a mantle
with its heavy gold embroidery also. The kirtle underneath and brocaded
surcote can clearly be seen also.
There
are very few existent fragments remaining. A beautiful sample of medieval
embroidery can be seen at right on an embroidered band. The embroidery
was sewn onto a separate strip of fabric which was then stitched to the
garment.
Dated at the 13th century, it is a band of fantastic animals in roundels
embroidered with gold thread on silk twill. Photo ©Timothy Mitchell,
courtesy of the Victoria Albert Museum of London. (Currently seeking permission
to use image)
Copyright
© Rosalie Gilbert
All text & photographs within this site are the property of Rosalie
Gilbert unless stated.
Artifact images remain the property of the owner.
Images and text may not be copied and used without permission.
|