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Medieval
Bath & Hygiene Display

Welcome to my newest display...
medieval hygiene!
My fondest hope with this display
is that members of the public will come to learn that medieval people
did, in fact, bathe and keep themselves clean. Many people have
the Hollywood ideal that people in the middle ages were dirty, smelly
and had poor hygiene.
It just isn't true.
Soaps were known. Food and
drink might be taken in the tub while a musician provided entertainment.

In the 14th century Boccaccio's
the Decameron we read about bathing-
"Without
permitting anyone else to lay a hand on him, the lady herself
washed Salabaetto all over with soap scented with musk and cloves.
She then had herself washed and rubbed down by the slaves. This
done, the slaves brought two fine and very white sheets, so scented
with roses that they seemed like roses; the slaves wrapped Salabaetto
in one and the lady in the other and then carried them both on
their shoulders to the bed.
They then took from the basket silver vases of great beauty, some
of which were filled with rose water, some with orange water,
some with jasmine water, and some with lemon water, which they
sprinkled upon them. After which they refreshed themselves with
boxes of sweetmeats and the finest wines."
 The
image at left is my base style guide for the bath setting itself
and is from Sloane 2435, Aldobrandino of Siena, Le Régime
du corps (ff. 1-75v).
My aim is to provide the trappings of a bath house in a domestic
setting. Herbs for bathing, soaps, a tub and board with food and
drinks, a striped linen towel and some personal grooming tools and
skin care.
The Tacuinum sanitatis of Liege, folio 76, writes of the
virtues of bathing with Water of A Pleasurable Warmth:
Nature:
Warm and humid in the second degree.
Optimum: The kind that opens the pores with moderate heat or
with a fever.
Usefulness: For bodies with open pores; furthermore, it lowers
the temperature.
Dangers: for intestinal flow.
Neutralisation of the dangers: With astringent drinks.
Drinks, therefore, were recommended.
Bathhouses also got a pretty bad reputation as houses of ill-repute,
and with just cause at times. The Paris Bathhouse Keepers Guild
had strict rules to follow. These included rules for those running
and attending the baths.
These included:
Whoever
wishes to be a bathhouse-keeper in the city of Paris may freely
do so, provided he works according to the usage and customs
of the trade, made by agreement of the commune, as follow.
No man or woman may
heat up their baths on Sunday, or on a feast day which the commune
of the city keeps.
And every person should
pay, for a steam-bath, two deniers; and if he bathes, he should
pay four deniers.
And because at some
times wood and coal are more expensive than at others, if anyone
suffers, a suitable price shall be set by the provost of Paris,
through the discussion of the good people of the aforesaid trade,
according to the situation of the times.
No man or woman of
the aforesaid trade may maintain in their houses or baths either
prostitutes of the day or night, or lepers, or vagabonds, or
other infamous people of the night.
As for where a woman might
acquire items for her personal toilette, she might just buy them
from a shop or be given them, as a lover's gift.
Andreas Capellanus, a 12th
century author of De Amore gives an insight into what dress
accessories were available and could be given as a gift of love-
"A
lover may freely accept from her beloved these things- a handkerchief,
a hairband, a circlet of gold or silver, a brooch for the breast,
a mirror, a belt, a purse, a lace for clothes, a comb,
cuffs, gloves, a ring, a little box of scent, a portrait,
toiletries, little vases, trays, a standard as a keepsake
of the lover, and so to speak more generally, a woman may accept
from her love whatever gift may be useful in the care of
her person, or may look charming, or may remind her of her
lover, providing, however, that in accepting the gift it is
clear that she is acting quite without avarice."
A 13th century French song
refers to a peddlar who carries for sale:
'razors,
tweezers, looking glasses, toothbrushes and
tooth-picks, bandaus and curling irons, ribbons, combs,
mirrors, rosewater... cotton with which
they rouge themselves and whitening with which
they whiten themselves.'
showing the large range of
grooming cosmetics and tools which were in use and available at
the time.

Below are listed the individual
pieces for my bath house display and their sources and contruction
methods if known. The display also includes a talk on basic medieval
hygiene and skin care and includes samples of some medieval skin
care products.
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bathing things
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Lavabo
stand
Country of Origin:
Multiple generic
Time Period: Medieval- 14th and 15 centuries
Type of Item: Lavabo stand
Colour: Natural
Materials: Pine
Dimensions:
Decoration: None
Construction: Hand made, glued and nailed with interlocking
pieces to enable transporting
Made by: Rosalie Gilbert
Documentation: 14th century, Roman de la Rose (multiple versions).
Also seen in multiple manuscripts with variations on design.
Notes: Often the stand can be a seperate stand. In the
15th century, we can see lavars built in ot the walls of houses.
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Lavabo
for stand
Country of
Origin:
Time Period: Medieval
Type of Item: Lavabo
Colour: Brass
Materials: Brass
Dimensions:
Decoration: Animal head spouts with women's faces on the
handles
Construction: 19th century reproduction. Hand made.
Made by: Unknown
Documentation: Artifact 1451 Historisches Museum, Frankfurt
Notes: Many of these can be seen in manuscripts through
the 14th and 15th centuries.
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Bronze
dish for Lavarbo
Country of Origin:
Time Period: Medieval
Type of Item: Washing pan
Colour: Bronze
Materials: Bronze
Dimensions:
Decoration: None
Construction: Hand made, wide, flat lip.
Made by: Vintage item from Comfort Room, Ukraine
Documentation: 14th century, Roman de la Rose (multiple versions)
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Wooden
bucket
Country of Origin:
Generic
Time Period: Medieval
Type of Item: Wooden bucket
Colour: Brown
Materials: Birch wood
Dimensions:
Construction: unknown
Made by: Unknown
Documentation: Codices vindobonenses 2759-2764 in the Osterreichischen
Nationalbibliothek, in Vienna, Austria.
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Brass dish for hand washing
Country of Origin:
Time Period: Medieval
Type of Item: Dish
Colour: Brass
Materials: Brass
Dimensions:
Decoration: Small turned lip
Construction: Commercially made
Made by: Unknown
Documentation: 14th century manuscript
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Brass
jug and bowl
Country of Origin: France/England
Time Period: Medieval
Type of Item: Jug and bowl for sponge bathing
Colour: Brass
Material: Brass
Dimensions:
Decoration: Two lines around the jug lip
Construction: Hand made
Made by: Unknown
Documentation: 14th century manuscript, Tacuinim sanitatus.
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Water
jug
Country of Origin: Generic
Time Period: Medieval
Type of item: Ceramic water jug
Colour: Terracotta
Materials: Clay
Dimensions:
Decoration: Painted scallops by Rosalie Gilbert.
Made by: unknown
Documentation: Bohun Psalter
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Personal
items
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Ivory
mirror case
Country of Origin: France
Time Period: 14th century.
Type of Accessory: Mirror
Materials: Bone, brass
Dimensions: mm diameter.
Construction: Hand carved mirrorcase with polished brass
mirror.
Decoration: Lady and squirrel with man, musician and horse
with groom.
Made by: Ondraj
Documentation: Extant mirror, Louvre |
Ivory
mirror case
Country of Origin: France
Time Period: 14th century.
Type of Accessory: Mirror
Materials: Resin, glass
Dimensions: 110mm diameter.
Construction: Hand cast resin mirrorcase with glass foil-backed
mirror.
Decoration: Hunting scene with four lions.
Made by: (? Poland?Checz)
Documentation: Extant mirror, Louvre
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Pewter
folding mirror case
Country of Origin:
England
Time Period: pre 1350.
Type of Accessory: Mirror
Construction Materials: Metal, glass
Metal: Pewter
Dimensions: 50mm diameter.
Details of Construction: Pin hinged mirrorcase with glass
foil-backed mirror. Hand cast.
Details of Decoration: The crucifixion scene shows Saint
John with a bible to the left and Mary carrying a purse to the
right. Above the figure of Christ is a sun and moon.
Made by: Steve Millingham's Pewter Replicas, England
Documentation: Museum of London collection. Original made
of lead-tin alloy
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Brass-bronze
folding mirror case
Country of Origin:
England
Time Period: 14th century
Type of Accessory: Mirror
Construction Materials: Metal, glass
Metal: BrassD
Dimensions: mm diameter.
Details of Construction: Pin hinged mirrorcase with glass
foil-backed mirror. Hand made with rocker wriggle work on the
case exterior.
Details of Decoration:
Made by: Daniel Woldenberg.
Bought from: Zeitenhandel, Germany.
Documentation: Gilbert Collection. PAS database.
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Wooden
mirror case
Country of Origin:
Generic
Time Period: 14th century.
Type of Accessory: Mirror
Construction Materials: wood, glass
Metal: none
Dimensions:
Details of Construction: wooden mirror case with glass
mirror
Details of Decoration: none
Dimensions: mm diameter.
Made by:
Bought from: Temu
Documentation: Manuscripts 13-15th centuries
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Wooden mirror case
Country of Origin:
Time Period: 14th century.
Type of Accessory: Mirror
Construction Materials: wood, glass
Metal: none
Dimensions:
Details of Construction: wooden mirror case with glass
mirror
Details of Decoration: painted
Dimensions: mm diameter.
Made by: painted by Rosalie
Documentation: Manuscripts 14th centuries, including Luttrell
Psalter
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Wooden mirror case
Country of Origin:
Time Period: 14th century.
Type of Accessory: Mirror
Construction Materials: wood, brass
Dimensions:
Details of Construction: Mirror surround carved out and
polished brass plate inserted.
Details of Decoration: Painted red externally
Dimensions: mm diameter.
Made by: painted by Rosalie
Bought from: Temu
Documentation: Manuscripts 14th centuries, including Luttrell
Psalter
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Wooden
double sided comb
Country of Origin: England, France
Time Period: 15th century
Type of item: Double sided comb
Colour: natural wood
Materials: Pear wood?
Dimensions:
Construction: Hand made
Decoration: Series of decorative cut outs inlaid with red
and green silk fabric with carved bone inlays.
Made by: Ezio Zannini, Italy
Documentation: extant comb |
Wooden
double sided comb
Country of Origin: England, France
Time Period: 14th century
Type of item: Double sided comb
Colour: natural wood
Materials: Wood, type unknown (boxwood?)
Dimensions:
Construction: Hand made
Decoration: Series of decorative stars on comb body
Made by: unknown
Documentation: 14th century Paris comb, Elizabeth Altarpiece
from the Church of St. Agidius at Bardejov, c. 1480-1500
Documentation: 15th century French boxwood comb in the private
collection of Mrs Leopold Blumka. |
Bone double sided comb
Country of Origin:
England, France
Time Period: 14th century
Type of Accessory: Double sided comb
Outer Colour: creamy white
Construction Materials: bone
Dimensions:
Details of Construction: Hand made reproduction of generic
medieval comb
Details of Decoration: undecorated
Made by: ?
Bought from: Make Your Own Medieval, Brisbane
Documentation: 14th century Paris comb
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Horn
double sided comb
Country of Origin:
England, France
Time Period: 14th century
Type of Accessory: Double sided comb
Outer Colour: black/brown
Construction Materials: horn
Dimensions:
Details of Construction: Hand made reproduction of generic
medieval comb
Details of Decoration: undecorated
Made by:
Documentation: 14th century Paris ivory comb
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Silk
hair net
Country of Garment: England & Europe
Time Period: 12th - 15th century
Type of Garment: hair net
Colour: cream
Construction materials: silk
Dimensions:
Decorative features: No decorative features
Construction method: Hand netted using traditional methods.
Luceted cord around the edge
Bought from: Knots In A Net
Made by: Ilta Hamari
Documentation: Museum of London original, MoL Dress Accessories.
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Braided
Hair
Country of Garment: England/Europe
Time Period: 13-14th century
Type of Garment: False hair
Outer Colour: Dark brown
Construction materials: Synthetic
Dimensions:
Decorative features: no decoration or embroidery.
Construction method: Braided hair styled and stitched with
brown quilting thread.
Bought from: False hair purchased from Op Shop
Made by: Rosalie
Notes: There is written and pictorial evidence of women wearing
false hair, which was regarded as sinful. The prime reasons are
if one was using real hair, it may have come from a prostitute or
sick woman and the hair might pass its attributes to the new wearer.
Alternately, choosing to have hair other than the kind that God
gave you was sinful, vain and seen as wanting more than you were
blessed with. |
Bone
Gravoire (hair parter)
Country of Origin: France
Time Period: 1320-1340.
Type of item: Hair parter- gravoire
Colour: White
Materials: Timber
Dimensions:
Construction: Hand carved and shaped
Decoration: Lady with Kneeling Man
Made by: Ezio Zanini, Italy.
Documentation: Artifact. The Wyvern Collection
Notes: original 13.8cm made from elephant ivory. The lady
has a small animal likely a squirrel. |
Bone
Gravoire (hair parter)
Country of Origin: France
Time Period: 14th century
Type of item: Hair parter- gravoire
Colour: White
Materials: Bone
Dimensions:
Construction: Hand carved and shaped
Decoration: undecorated as yet
Made by: unknown
Documentation: 14th century Italy, Ivory. Collection of Mrs
Ernest Brummer
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Tweezers
Country of Origin:
England
Time Period: medieval
Type of Item: locking tweezers
Colour: gold
Materials: brass
Dimensions:
Decoration: several incised grooves, locking wire
Construction: Hand made
Made by: Mark Shier, Gaukler Medieval Wares
Documentation: 14th century artifact, The Gilbert Collection
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Earscoop
& nail cleaner
Country of Origin:
France
Time Period: 14th century
Type of Item: ear scoop
Colour: white
Materials: bone
Dimensions:
Decoration: Terminus is a fashionalbe lady holding a book.
Construction: Hand carved
Made by: Ezio Zannini, Italy.
Documentation: 14th century artifact, Musee Cluny Item 8985.
Notes:
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Earscoop
& nail cleaner
Country of Origin:
Time Period: medieval
Type of Item: ear scoop and nail cleaner
Colour: gold
Materials: brass
Dimensions:
Decoration: barley twist main stem
Construction: Hand made
Made by: Gaukler Medieval Wares
Documentation: 14th century artifact, The Gilbert Collection
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Hair trimming scissors
Country of Origin:
Europe & England
Time Period: 14th century
Type of Item: Scissors
Colour: black
Construction Materials: Iron
Dimensions:
Details of Construction: cm. Handforged.
Details of Decoration & Finishes: none
Imported by: Medieval Design, Italy
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Paternoster
Country of Origin: England
Time Period: 14th century
Type of Item: Paternoster
Colour/colours: red, white, gold
Materials: Linen thread, marble, gold spacers, red silk tassel
Dimensions:
Construction: Ten groups of ten beads threaded onto linen, gold
spacer, with tassel terminating at the end.
Decoration: Red, silk tassel
Made by: Rosalie's Medieval Woman
Documentation: 1400s Mother of God With Pea Blossom, Master
of Cologne, Germany
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cosmetics & consumables
soap
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Castile
Soap 110g
Country of Origin:
Castile
Time Period: medieval
Type of item: unscented soap
Colour: natural
Materials: Saponified olive oil, Alden's Olives, Cohuna,
Victoria.
Made by: Biome, Brisbane
Documentation: written accounts.
Gilbertus Anglicus writes about the various types of soap in the
14th century and lists Castile soap.
One written reference to scented soaps, comes from 14th century
Boccaccio's the Decameron where we read-
"...the lady herself
washed Salabaetto all over with soap scented with musk and cloves..."
Whether or not this scented
soap was the luxurious Castille soap is not mentioned.
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Aleppo
Soap
Country of Origin:
Time Period: medieval
Type of item: unscented soap
Colour: greenish
Materials:
Decoration: none
Made by:
Bought from:
Documentation: written accounts
Gilbertus Anglicus writes about the various types of soap in the
14th century
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Nablus Soap
Country of Origin:
Time Period: medieval
Type of item: Soap
Colour: natural
Ingredients: 100% Extra Virgin Olive Oil, water and caustic
soda.
Decoration: none
Made by: Nablus Soap Company. EcoCert, Palestine.
Bought from: Mainly Medieval
Documentation: written accounts
Gilbertus Anglicus writes about the various types of soap
in the 14th century.
Mainly Medieval: Nablus soap is classified as one of the
original Castille soaps and was known to be traded into the Western
Medieval markets through a number of trade channels. It has been
in production for thousands of years in areas such as Syria and
there are still family businesses continuing to make this olive
oil soap in the traditional manner to this day.
The difference between the
Aleppo and Nablus is simply that after the Aleppo soap has been
aged, it is then shredded and re-processed again, creating a much
finer textured and paler coloured soap. The Nablus has always
been more expensive due to the further production steps and storage
times to allow the soap to harden to the corrent consistancy.
As such it has also been generally used for the export market,
as its appearance was deemed more in keeping with the Western
perceptions.
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Venetian
Barber Soap
Country of Origin:
Time Period: medieval
Type of item: Soap
Colour: natural
Materials:
Decoration: none
Made by: Roxy Macdonald
Bought from: Mainly Medieval
Documentation: written accounts
Gilbertus Anglicus writes about the various types of soap in the
14th century
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Rosewater
for handwashing
Country of Origin: Everywhere
Time Period: medieval
Type of Item: rosewater
Colour: palest, clear pink
Materials: roses
Decoration: n/a
Made by: Besttaste, Iran
Documentation: Trotula et al
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Hand
washing water
Country of Origin:
France
Time Period: 14th century
Type of Item: herbal waters
Colour:
Materials:
Decoration: n/a
Made by: Rosalie's Medieval Woman
Documentation: Le Mesnagier de Paris. From A Medieval
Home Companion: Housekeeping in the 14th century, Tania Bayard,
from the Goodman of Paris
"To make water
for washing hands at table: Boil sage, then strain the water
and cool until it is a little more than lukewarm. Or use chamomile,
marjoram or rosemary boiled with orange peel. Bay leaves are
also good."
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cosmetics & consumables
for hair
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Rosewater
with hairpowder
the Trotula Texts
Country of Origin: Salerno
Time Period: medieval
Type of Accessory: hair powder
Colour: natural
Materials: dried roses, clove, nutmeg, watercress, galangal,
rose water
Made by: Rosalie's Medieval Woman
Documentation: Trotula, On Cosmetics (attributed)
Notes: The Trotula, or the set of three texts attributed
to Trotula, include On Women's Cosmetics, and include recipes
for beauty including a beautiful-smelling hair powder, so that
the hair remains sweetly scented. In the section about On Various
Kinds of Adornments, it reads:
But when she combs her
hair, let her have this powder. Take some dried roses, clove,
nutmeg, watercress and galangal. Let all these, powdered, be
mixed with rose water. With this water let her sprinkle her
hair and comb it with a comb dipped in this same water so that
[her hair] will smell better. And let her make furrows in her
hair and sprinkle on the above-mentioned powder, and it will
smell marvelously.
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the TROTULA'S
HAIR POWDER page.
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Hair
powder
the Trotula Texts
Country of Origin: Salerno
Time Period: medieval
Type of Accessory: hair powder
Colour: natural
Materials: dried roses, clove, nutmeg, watercress, galangal,
rose water
Made by: Rosalie's Medieval Woman
Documentation: the Trotula texts, On Cosmetics (attributed)
Notes: The Trotula, or the set of three texts attributed
to Trotula, include On Women's Cosmetics, and include recipes
for beauty including a beautiful-smelling hair powder, so that
the hair remains sweetly scented. In the section about On Various
Kinds of Adornments, it reads:
But when she combs her
hair, let her have this powder. Take some dried roses, clove,
nutmeg, watercress and galangal. Let all these, powdered, be
mixed with rose water. With this water let her sprinkle her
hair and comb it with a comb dipped in this same water so that
[her hair] will smell better. And let her make furrows in her
hair and sprinkle on the above-mentioned powder, and it will
smell marvelously.
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the TROTULA'S
HAIR POWDER page.
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cosmetics & consumables
for teeth
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Mouthwash
Hildegarde von Bingen's Sage & wine
Country of Origin:
Salerno
Time Period: medieval
Type of Item: mouthwash and breath freshener.
Colour: Clearish when new
Ingredients: Sage, white wine
Made by: Rosalie Gilbert
documentation: Hildegard von Bingen's book Physica
Notes: Physica deals with the properties of things; animals,
stones, minerals, plants and elements of the earth. She looks
at what these things may be good for and offers remedies for health
concerns. One of these is dealing with bad breath. It reads:
"Anyone... who
has stinking breath, should cook sage in wine, strain it through
a cloth, and drink it often."
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the HILDEGARDE'S
SAGE & WINE MOUTHWASH page.
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Mouthwash
Bancke's mint & vinegar
Country of Origin: England
Time Period: medieval
Type of Item: breath freshener
Colour: green
Materials: vinegar, mint
Made by: Rosalie's Medieval Woman
Documentation: Bankes' Herbal, 1525.
Notes: From Bankes' Herbal, 1525
"For the stinking
of the mouth and filth of the gums and of the teeth, wash thy
mouth and gums with vinegar that mints have been sodden in;
after that, rub them with the powder of mints or with dry mints."
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the BANCKES'S
BREATH FRESHENER page.
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Tooth
Powder
the Trotula texts
Country of Origin: Salerno
Time Period: medieval
Type of Accessory: tooth powder
Colour: natural
Materials: cinnamon, clove, spikenard, mastic, frankincense,
grain, wormwood
Made by: Michelle Barton, Cabinet of Medieval Curiousity
Documentation: Trotula, On Cosmetics (attributed)
The
Trotula, or the set of three texts attributed to Trotula, include
On Women's Cosmetics, and include recipes for beauty including
tooth powder. She writes:
Take some each of
cinnamon, clove, spikenard, mastic, frankincense, grain, wormwood,
crab foot, date pits, and olives. Grind all of these and reduce
them to a powder, then rub the affected places. Your
breath, with its mix of frankincense and crab foot, will let
everyone know just how wealthy you are.
Notes: This recipe
was made without olives and date pits and crabfoot, which is
an ingrediant of unsure type. Plant? Animal? There is a Chinese
tea called Crabfoot, which may be the ingrediant, or not, depending
on whether it was known at this time. The inclusion of frankincense
may hint at exotic imports, but it also really may not. There
is a plant which also might be it, but it's not a perfect match
either.
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the TROTULA'S
TOOTH POWDER page.
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Tooth
powder 2
Banckes's Rosemary Charcoal
Country of Origin:
England
Time Period: medieval
Type of Item: tooth powder
Colour: black
Materials: rosemary
Made by: Rosalie's Medieval Woman
Documentation: Bankes' Herbal, 1525
Notes: A charcoal tooth powder recipe comes from Bankes'
Herbal, dated 1525.
"Also take the
timber thereof [rosemary] and burn it to coals and make powder
thereof and put it into a linen cloth and rub thy teeth therewith,
and if there be any worms therein, it shall slay them and keep
thy teeth from all evils."
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the BANCKES'S
CHARCOAL POWDER page.
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Breath
Freshener
Fennel seed
Country of Origin:
Time Period: medieval
Type of Item: breath freshener
Colour: natural
Materials: fennel seed
Made by: Rosalie's Medieval Woman
Documentation: Trotula, On Cosmetics.
Notes:
Trotula, On Cosmetics. For breath-freshening, Trotula, or
the set of three texts attributed to Trotula, include On Women's
Cosmetics, include recipes for keeping the breath fresh. She
writes: :
"The woman should
wash her mouth after dinner with very good wine.
Then she ought to dry very well and wipe with a new white cloth.
Finally, let her chew each day fennel or lovage or
parsley, which is better to chew because it gives
off a good smell and cleans good gums and makes the teeth very
white."
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Breath
freshener 2
Gilbertus Anglicus
Country of Origin:
England
Time Period: medieval
Type of Item: breath freshener
Colour: natural
Materials: pepper, mint, salt
Made by: Rosalie's Medieval Woman
Documentation: Gilbertus Anglicus, about 1400, English
Notes: For breath-freshening, Gilbertus Anglicus, about
1400, English
"And let him use
this powder: Take of pepper, one ounce; and of mint, as much;
and of rock salt, as much. And make him to chew this powder
a good while in his mouth, and then swallow it down."
The entire process of living
history experiment recreating the hair powder according to the
recipe, is here on the GILBERTUS
BREATH FRESHENER page.
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Breath
freshener
Trotula parsley
Country of Origin:
Time Period: medieval
Type of Item: breath freshener
Colour: green
Materials: parsley
Made by: Rosalie's Medieval Woman
Documentation: Trotula, On Cosmetics.
Notes: For breath-freshening, Trotula, or the set of three
texts attributed to Trotula, include On Women's Cosmetics,
include recipes for keeping the breath fresh. It reads:
"The woman should
wash her mouth after dinner with very good wine.
Then she ought to dry very well and wipe with a new white cloth.
Finally, let her chew each day fennel or lovage or parsley,
which is better to chew because it gives off a good smell and
cleans good gums and makes the teeth very white."
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cosmetics & consumables
skin care etc
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Perfume-
Queen of Hungary Water
Country of Origin:
Time Period: medieval
Type of Accessory: Perfume
Colour: Clear
Construction Materials: Alcohol, rosemary, lemon, frankinsence,
rose and neroli essential oils.
Made by: Roxy McDonald, Medieval Still Room.
Bought from: Mainly Medieval, Sydney.
documentation:
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Rouge
Country of Origin:
France
Time Period: 13th century
Type of Item: rouge for pink cheeks
Colour: pink
Materials: dyed red wool
Made by: Rosalie's Medieval Woman
Documentation: Love Lock'd Out, A Survey of Love, Licence
and Restriction in the Middle Ages by James Cleugh. A 13th
century French song refers to a peddlar who carries for sale:
'razors, tweezers,
looking glasses, toothbrushes and tooth-picks, bandaus and
curling irons, ribbons, combs, mirrors, rosewater... cotton
with which they rouge themselves and whitening with
which they whiten themselves.'
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Foundation
Country of Origin:
France
Time Period: 13th century
Type of Item: lip balm
Colour:
Materials:
Made by: Rosalie's Medieval Woman
Documentation: L'ornement des Dames The
L'Ornement des Dames gives this recipe for making an easy foundation:
There is a white make-up
that is very easy to make. Put very pure wheat in water for
fifteen days, then grind and blend it in the water. Strain through
a cloth, and let it crystalise and evaporate. You will obtain
a make-up which will be as white as snow. When you want to use
it, mix it with rosewater, and spread it on your face which
has first been washed with warm water. Then dry your face with
a cloth.
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Lip
balm/stain
Country of Origin:
Time Period: medieval
Type of Item: lip balm
Colour:
Materials:
Made by: Rosalie's Medieval Woman
Documentation: Trotula, On Cosmetics. Also Secrets
of Don Alessio Piemontese.
Notes: One recipe for a medieval lip balm described as
a 'sweet smelling grease that will keep the lips and hands from
chapping and make them moist and soft' comes from the book Secrets
of Don Alessio Piemontese, published in 1557.
'Take 12 oz of fresh
suet and 6oz of marjoram and pound them together. Form into
balls and sprinkle with good wine. Next put into some vessel
and seal it tightly so that the odor of the marjoram does not
escape. Place in the shade for 24 hours and then put into water.
Cook slowly, then strain. This process must be repeated 4 or
5 times always adding another 9oz of suet. Finally a little
musk or civet can be added.'
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Skin
tonic tba
Country of Origin:
Time Period: medieval
Type of Item: Tonic to...
Colour:
Materials:
Made by: Rosalie's Medieval Woman
Documentation: The Old Woman from the manuscript the Roman
de la Rose also offers advice on skincare:
If her complexion loses
colour and her heart is tormented as a result, she should arrange
always to have aqueous ointments hidden in boxes in her chamber,
for the purpose of painting her face. But she must take care
that none of her guests can smell or see them: otherwise she
could be in great trouble... If her hands are not fair and unblemished
but marred by spots and pimples, she ought not to leave these
alone but use a needle to remove them; or else she should hide
her hand in her gloves so that the spots and scabs are not visible.
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Fresh
herbs for bathing
Country of Origin:
Time Period: medieval
Type of Item:
Colour:
Materials:
Made by: Rosalie's Medieval Woman
Documentation: Many sources indicate that scented and herbal
bathwaters were enjoyed in the medieval period.
Notes: In the 14th century Boccaccio's the Decameron
we read about bathing-
Without permitting
anyone else to lay a hand on him, the lady herself washed Salabaetto
all over with soap scented with musk and cloves. She then had
herself washed and rubbed down by the slaves. This done, the
slaves brought two fine and very white sheets, so scented with
roses that they seemed like roses; the slaves wrapped Salabaetto
in one and the lady in the other and then carried them both
on their shoulders to the bed.
They then took from
the basket silver vases of great beauty, some of which were
filled with rose water, some with orange water, some with jasmine
water, and some with lemon water, which they sprinkled upon
them. After which they refreshed themselves with boxes of sweetmeats
and the finest wines.
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Rose
petals
Country of Origin: Everywhere
Time Period: medieval
Type of Item: rose petals for bathwater and handwashing
Colour: red, pink
Materials: roses
Made by: Rosalie's Medieval Woman
Documentation: bathtub scene, Manesse Codex, mentions in health
handbooks.
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Sea
Sponge: large
Country of Origin: Italy
Time Period: medieval
Type of item: Sea sponge
Colour: natural
Materials: natural
Dimensions: 17cm
Decoration: none
Made by: nature, Greece
Documentation: Bath scene and written references
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Sponges x 4
Country of Origin:
England
Time Period: 14th century
Type of Accessory: Sponges
Colour: natural
Materials: sea sponges
Dimensions:
Details of Decoration: none
Made by: Imported from overseas
Bought from: Priceline, Rochedale South
documentation
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Ball
headed dress pins
Country of Origin: Generic
Time Period: 14th century
Type of Item: veil pins
Colour: gold
Materials: brass
Construction: hand made
Decoration: ball heads
Made by: Bero Heftelmacher, Bero von Saeckingen, Germany
Documentation: Extant pins, Museum of London
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Carnelian headed dress
pins - red
Country of Origin:
Generic
Time Period: 14th century
Type of Accessory: veil pins
Outer Colour: brass,
Construction Materials: brass, carnelian
Details of Construction: hand made
Details of Decoration: carnelian bead heads
Made by: Commercial pins, Rosalie beaded
Bought from: Spotlight (pins), carnelian: Beads N Things,
Stones Corner
Documentation: contemporary art
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Pearl headed dress pins
Country of Origin:
Generic
Time Period: 14th century
Type of Accessory: veil pins
Outer Colour: brass, cream
Construction Materials: brass, freshwater pearls
Details of Construction: hand made
Details of Decoration: pearl bead heads
Made by: Commercial pins, Rosalie beaded
Bought from: Spotlight (pins), pearls: Beads N Things,
Stones Corner
Documentation: contemporary art
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Cosmetics
containers
Country of Origin: Generic
Time Period: Medieval
Type of Item: Container
Colour/colours: Natural
Materials: Beech wood
Construction: Hand turned
Decoration & Finishes: 3 grooves
Made by: Lockzhiner, China
Documentation: Artifacts
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Birch
Box with lid
Country of Origin:
Time Period: 14th century
Type of Item: Bentwood box
Colour/colours: Light brown
Materials: Birch
Construction: Commercially produced
Dimensions: 19cm diameter
Decoration & Finishes: handpainted with scene from the
Manesse Codex, Germany
Made by: unknown, painted by Rosalie's Medieval Woman
Documentation: Extant painted box
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Soft furnishings & Linens
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Bath
curtains
Country of Origin: England
Time Period: medieval
Type of Item: curtains
Colour/colours: white
Materials: linen
Construction: machined stitching
Decoration & Finishes: navy blue circular top
Made by: Rosalie's Medieval Woman
Documentation: Aldobrandino of Siena, Le Régime
du corps folio 8v
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Striped
Towel
Country of Origin: Everywhere
Time Period: 13th-15th century
Type of Item: Towel
Colour/colours: Blue and white
Materials: Flax linen
Construction: Hand woven
Dimensions: 35cm x 150cm
Decorations: diamond weave with blue stripes and tassels
Made by: unknown for Medieval Design, Italy
Documentation: 1350 Manuscript Naples Wedding at Canna
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Striped
Tablecloth
Country of Origin: Everywhere
Time Period: 13th-15th century
Type of Item: Towel
Outer Colour/colours: Blue and white
Construction Materials: Flax linen
Construction: Hand woven
Dimensions: cm x cm
Decorations: diamond weave with blue stripes and tassels
Made by: unknown for Medieval Design, Italy
Documentation:
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Hand
towel
Country of Origin: Everywhere
Time Period: Medieval
Type of Item: hand towel
Colour/colours: White
Materials: Cotton in diaper weave
Construction: Hand stitched with rolled hems
Decoration: fringed on ends
Made by: Commercially woven, fringed by Rosalie
Documentation |
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Tableware
used for bath snacking
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Hegagonal
Pewter Flagon
Country of Origin: England, France, Switzerland
Time Period: 1350 onwards
Type of Item: Flagon
Colour: Silver
Materials: Pewter
Dimensions:
Construction: 8 body panels soldered together. The lid is
cast in one piece with the finial and twin ball thumb-piece being
cast separately and then soldered on. 21cm tall. One and a half
pints capacity.
Decoration: Acorn finial on lid and hinge
Made by: Steve Millingham Pewter Reproductions or Lionheart
Replicas
Documentation: Artifact. Tonbridge Flagon, River Medway,
Tonbridge Castle, England. dated 1400.
Notes: Three examples have currently been found in England
to date, while further examples have been found on the continent.
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Hexagonal
pewter beaker
Country of Origin: Prague
Time Period: 1350
Type of Item: Cup
Colour: Silver
Materials: Pewter
Dimensions:
Construction: Pewter cast in one piece with hexagonal sides.
Details of Decoration: None
Made by: Steve Millingham Pewter Reproductions
Documentation: Artifact, Prague. dated at between 1310 and
1335 and made of gilded silver and are from Prague.
Notes: The panels were made separately and soldered together.
Other artifact dated 1350 (?) Pewter tableware dates as early as
the late 13th century. Approx 300 pieces are listed in Edward I's
rolls.
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Large
silver plate
Country of Origin: England
Time Period: medieval
Type of Item: Plate
Outer Colour: Silver
Construction Materials: Pewter
Dimensions:
Details of Construction: Cast in one piece, wide flat rim
Dimensions:
Details of Decoration: No decoration
Made by:
Documentation: Artifacts, Compton Castle Collection.
Notes: Pewter tableware dates as early as the late 13th century.
Approximately 300 pieces are listed in Edward I's rolls.
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Bone
handled knife
Country of Origin:
England
Time Period: 1350-1400
Type of Item: Knife
Colour: Cream
Materials: Bone, steel
Dimensions:
Construction: Not known, original blade modified
Made by: unknown
Documentation: Artifact. 1350 Thames, England
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Acorn
knop spoon
Country of Origin: England France
Time Period: 14th century
Type of Item: Spoon
Colour: Silver
Materials: Pewter
Dimensions:
Construction: Cast in one piece. Wide, fig-shaped dish.
Wide finial.
Decoration: Acorn finial, stamped S on bowl.
Made by: Steve Millingham Pewter Replicas
Documentation: Artifacts. York City Museum replica. Also
14thC Bronze spoon, France, MedGallery, Collection of Jean Boxhorn.
Notes: Metropolitan Museum of Art states the first known
reference to the acorn spoon is in a will dated 1348 where John
de Holegh bequeathed to Thomas Taillour "12 silver spoons
with akernes". The Gilbert family lists a purchase of 8 silver
Acorn spoons.
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Infrastructure
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Bath
tub
Country of Origin:
generic
Time Period: medieval
Type of Item: bath
Colour/colours: natural
Materials: Oak, metal
Dimensions:
Construction: traditionally made wine cask half with securing
metal bands
Decoration & Finshes: painted interior. Iron bands
to be covered with flexible wood. wip
Documentation: The Hague, KB, 76 F 21 fol. 15r Mary in
bath Fol. 15r
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Wooden
Low Stool
Country of Origin: Generic
Time Period: medieval
Type of Item: Stool
Colour: Oak stain
Materials: Pine
Dimensions:
Construction: Nailed and glued
Decoration & Finshes: 2 coats of stain, Curved end pieces.
Made by: Rosalie's Medieval Woman
Documentation: Elizabeth Altarpiece from the Church of St.
Agidius at Bardejov, c. 1480-1500 |
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Board
Country of Origin:
Generic
Time Period: medieval
Type of Item: bath board
Colour/colours: Oak stain
Materials: Pine
Construction: cut to size
Decoration & Finshes: none
Made by: Rosalie's Medieval Woman
Documentation: Medieval art
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Copyright
© Rosalie Gilbert
All text & photographs within this site are the property of Rosalie
Gilbert unless stated.
Art & artefact images remain the property of the owner.
Images and text may not be copied and used without permission.
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